On beginnings in speculative fiction

Reader reactions are so subjective. One person might think there’s not nearly enough worldbuilding in a book (“give me more! MORE!”) and another might say of the exact same book that what worldbuilding there is was way too confusing (“I couldn’t keep all those made-up words straight!”). So how do you, as the author, balance … Read more

Fantasy and SF touchstones (MG and YA)

I’m making another book list again! I’d like to know what books you think are the most important (and give me a good reason) middle grade and YA fantasy books of all time/their time. What changed things? Which were important signifiers of culture at that time? Which were the most important in literary merit? What … Read more

Some incomplete thoughts on post-apocalyptic worldbuilding

Just a few thoughts that combine from reading a couple recently published postapocalyptic trade books and some of the submissions I’ve been going through recently. This isn’t by any means a comprehensive list of things to think about—just a few things that struck me as a pattern in (some) recent reads (and something I notice … Read more

Submissions update

For those of you who submitted PARTIAL manuscripts, I am nearly up to date on everything that has come in up through June 1. I’ll post when I am, so that you’ll know that if you haven’t heard from me, the answer is no. But I’m still working my way through a few. For those … Read more

New Tu acquisition

The announcement came out in Publisher’s Marketplace today, so I can share it here, too! Kimberly Pauley’s CAT GIRL’S DAY OFF, when a girl’s celebrity-addicted friends make her watch a viral Internet video, her secret “talent” to understand the language of cats catapults them into a celebrity kidnapping mystery with ties to Hollywood and Ferris … Read more

Beyond Orcs and Elves, part 3

And finally, part 3. Read parts 1 and 2 here and here. So now let’s talk about writing cross-culturally! Writing Cross-culturally A few months ago, I answered a reader’s question on my website, in which she asked, basically, “Is my character ‘black enough’?” which prompted a wide variety of responses, some voices expressing why the … Read more

Beyond Orcs and Elves, part 2

See here for part 1. Many authors have broken that mold & followed Ursula K. Le Guin’s admonition to write more of the “other.” But there’s still a strong British tradition—among the  biggest touchstones for kids from the 70s and 80s era are arguably Susan Cooper, Roald Dahl, Diana Wynne Jones, etc. All touchstones for … Read more

Beyond Orcs and Elves: Diversity in Science Fiction and Fantasy for Young Readers, part 1

Here you go! The first installment. Note that this was written to be spoken, so sometimes the diction might seem a little weird for a blog post. But I’m just going to leave it as-is, because you’ll get the idea. Beyond Orcs and Elves: Diversity in Science Fiction and Fantasy for Young Readers Ursula Le … Read more

Tu covers!

We’ve got some exciting news over at the Lee & Low blog that you need to check out. Also, for those who were interested in the African American genealogy conference, I promised I’d post my Top Ten Tips slides here and have gotten quite busy this week and haven’t gotten to it yet. I’ll post … Read more

Romance vs. romantic elements in a story

At LTUE last week, I was on a panel that gave me some food for thought, which I’d like to get some discussion on. The whole panel was set up around the difference between a romance (maybe Romance, capital R) and a story with romantic elements. Panelists included adult SFF author John Brown, YA fantasy … Read more