ALA Chicago and other upcoming shows

It occurs to me that I should specifically note that I’ll be at ALA Chicago this weekend, in case you will be there and want to stop by the Lee & Low/Tu Books booth and say hi. This is the first time since I’ve joined Lee & Low that I’ll be at the conference. If you will be there, be sure to get in touch and let me know you’ll be looking for me, because I won’t be at the booth most of the time; rather, I’ll be out talking to people, attending meetings, and such. If you want to see me, let’s make an appointment to be sure we don’t miss each other!

Coming up, I’ll be in Hartford, Connecticut for ConnectiCon as well—where Tu Books will have a dealer’s room table, and I’ll be revamping my “Beyond Orcs and Elves” talk for the show. Three Tu Books authors will be there as well: Bryce Moore, Shana Mlawski, and Joseph Bruchac, who will also all be on panels. I’ll post their schedule as it comes closer and is finalized. My friend Brandon Sanderson will be the literary guest of honor, and he’ll be on at least one panel and possibly signing with Bryce Moore.

Over Labor Day weekend, if you’re going to be at DragonCon in Atlanta, let me know, because I’ll be there too! Tu Books will have a booth in the dealer’s room there for the first time! We’re really looking forward to it.

#diverselit

Side note: I just realized—thanks to a congratulatory email on LinkedIn, of all things—that I’ve now officially been at Lee & Low Books for 3 years, almost to the day (I believe I started on March 5, 2010, but my memory is fuzzy). YAY for Tu Books! Yay for diversity in science fiction, fantasy, and mystery for young readers!

And to celebrate that—diversity in books for young readers, that is—we’re starting a Twitter chat that we’ve dubbed #diverselit. Tomorrow—Thursday, March 7, 2013—will be our first #diverselit chat on Twitter, and I hope you’ll be able to join us, in which I and my coworker Hannah, who is Lee & Low’s marketing manager, will be talking about Diversity 101, which covers all those frequently asked questions such as:

  • Who can write what?
  • What does “POC” mean?
  • What is privilege and why does it matter?
  • Why is diversity in books for young people a problem, and why does it matter?

If you’re an expert, join in the conversation and give us your perspective. If you’re a newbie to all of this, come to learn. Everyone, come to discuss! I will be tweeting from Tu Books’ twitter, and Hannah will be tweeting from Lee & Low’s twitter, so be sure to follow us both.

If you don’t know how a Twitter chat works, check out this handy guide to hashtag chats. Not on Twitter? You can follow along by searching #diverselit on Twitter itself or on http://www.tweetchat.com, but to participate in the chat, you need a Twitter account, which is pretty easy to set up. Hope to chat with you tomorrow!

Latest Tu honors, and a new review

Tu has had several cool things happen lately, which I’ve tweeted and shared on Facebook, but I’d like to round them all up here. First let’s start with a cover reveal and some insight into the design and illustration process for Hammer of Witches! And I linked this later in the last post, but just in case you missed it, here’s also the cover reveal for Awakening, which is the sequel to Karen Sandler’s Tankborn. Both books are coming out this April!

Hammer of Witches

Hammer of Witches final coverHere’s the awesome Kirkus review for Hammer of Witches, which will be posted on their site soon:

An engaging, magical adventure set against the historical backdrop of Columbus’ westward voyage.

Young Baltasar, a converso (a Spanish Jew converted to Catholicism), relies on his wits to distract the village bully by telling an amusing tale. Soon after, Bal discovers his storytelling has magical properties when he summons a monster to ward off the Malleus Maleficarum, witch-hunting Inquisitors after Bal’s father. Intent on escaping and finding the father he thought dead, Bal is hired as translator on none other than the Santa Maria, captained by Columbus himself. The voyage takes Bal on the uncharted seas of Columbus’ famous voyage and into adventures that include sea beasts and secrets from Bal’s own past. Though keeping track of all the Spanish-named seamen can be a challenge, Mlawski’s central characters—Jinniyah, a genie Bal summons, and Catalina, a fellow storyteller, in addition to Bal himself—are imaginative and well-developed, and her swashbuckling pace and intriguing plotting keep readers at seat’s edge. This story is told entirely from Bal’s perspective, but by placing him on the Santa Maria and inside the Caribbean villages the expedition visits, Mlawski invites young readers to see the familiar Columbus story from another perspective—and to consider the power of stories to shape perception in everyday life. Backmatter includes a helpful author’s note and pronunciation guide.

Though set in the 1490s, this provocative blend of fantasy and history offers loads of contemporary appeal.—Kirkus Reviews

And you’ll see several of the blurbs for this book on the cover reveal post, but here are a couple more great quotes we got from Victoria Strauss and Lesley Livingston:

“This rollicking historical fantasy has it all—nail-biting adventure, exciting mystery, fabulous magics, and characters you can really root for. I enjoyed every word.”—Victoria Strauss, author of Passion Blue and co-founder of Writer Beware

Hammer of Witches is everything I crave in a story—magic, adventure, danger, depth, a rich historical setting, and an irresistibly charming hero. What a fantastic voyage!”—Lesley Livingston, author of Wondrous Strange

Awakening

AwakeningAs I said, you probably have already seen the cover reveal, but in case you missed it, here it is again! We’ve also got a good Kirkus review to share, as well as some Tankborn news.

[T]he second Tankborn entry presents exciting new mysteries about genetic engineering, illness and rebellions.

As a GEN (Genetically Engineered Non-human), Kayla ranks lowest in this caste-based society. The slightest insubordination on her part could prompt a trueborn to reset her—wipe away her soul and give her body a new personhood—or recycle her body for DNA. Driving around by lorry under the authority of a lowborn named Risa, Kayla uses her genetically strengthened arms to haul goods in and out of warehouses; she and Risa also carry information for the Kinship, a secret rebel network. This information travels inside Kayla’s annexed brain, a section inside every GEN’s brain that is accessed by hooking a datapod (painfully) to the tech-tattoo located on every GEN’s face. Sandler’s strength is suspense, elements of which include the medical mystery of a disease striking only GENs (Scratch is fatal and has bizarre properties), explosions in warehouses storing GEN food, wispy hints of a second revolt (even farther underground than the Kinship) and the web connecting it all. . . . [F]ans of genetic engineering and shadowy rebellions will find much to like.—Kirkus Reviews

In other news, I just found out that Tankborn was a finalist for last year’s Golden Duck Awards in the YA category (the Hal Clement Award). This is a good award that we don’t see very much coverage of—in fact, the award was given in September and I just heard about Tankborn being a finalist just this week. This one is given the same weekend as the Hugo awards. In addition, Galaxy Games: The Challengers by Greg Fishbone was a finalist in the middle grade category (the Eleanor Cameron Award for Middle Grades). I’d love to see more librarians and teachers paying attention to this award!

Summer of the Mariposas

Summer of the MariposasAnd let’s round up this good news report with some news about Summer of the Mariposas, which was just nominated for the Andre Norton Award! This makes me very excited. It’s actually a career first for me, to be able to have an author nominated for this award. And Guadalupe Garcia McCall is in some very good company for nominees. Whoever wins, what an honor to have Guadalupe’s wonderful work recognized.

*happy dance*

If you’re in the Arizona area, here’s your chance to meet Guadalupe and have her sign your book. She’s going to be in Tucson next month, March 9-10, for the Tucson Festival of Books on the University of Arizona campus. Check out the site for more information, such as schedule, etc. The festival is free and open to the public!

Your Tu Books holiday book-buying guide

Hanukkah is in full swing, and Christmas is right around the corner. Thinking about getting a book for that teen or kid in your life? Or for the adult YA reader in your life (you are welcome in this no-judgement zone; we love YA too!). Don’t forget to include Tu Books in those plans! Here are a few examples of people you’re looking to find a gift for.

For the reader looking for comedy (sometimes light, sometimes a little morbid):

Cat Girl's Day OffGalaxyGames-FinalFront

For the teen looking for something with an edge:

Diverse EnergiesWolf Mark front cover FINALTankborn-Cover-Final

For the middle-grade reader or young teen looking for a “clean” read:

Summer of the MariposasCat Girl's Day OffGalaxyGames-FinalFront

For fans of folklore and fairy tales:

Summer of the Mariposas

For fans of science fiction, especially technology and space-related:

Tankborn-Cover-FinalGalaxyGames-FinalFront

For fans of Twilight:

Wolf Mark front cover FINAL

For fans of Ferris Bueller’s Day Off and Chicago:

Cat Girl's Day Off

 

Got any other kinds of readers in your life that need a Tu Book recommendation? Ask away in the comments!

How to get in on holiday-discount action at Tu Books

Have you been waiting for the right time—for example, a holiday promotional event—to buy a Tu Book or two? We’ll be sending out a special holiday discount to all our e-news subscribers, so sign up for our e-news to be sure that you’ll be in on the action.

You’ll see on that link that there are four options on the e-news: one for everything, one that is targeted for authors and illustrators—including publishing advice and contest announcements, another that focuses just on the books themselves, and another for teachers and librarians that includes classroom helps and links to resources on our site. You can sign up for all of them, or just one or two.

And the discount coupons don’t just come during the holidays—each e-news comes with discount codes just for e-news subscribers.

Dragon booklist update

I’m updating my dragon booklist today and putting it on Pinterest. Now that my nephew is eight, he’s into full-on middle-grade books, and STILL loves dragons, three years later. So what dragon books have come out in the last three years? What books did we keep off the list last time because they weren’t that great for readalouds? Let me know in the comments here, as I think the old post is old enough that the comments have closed there.

SLJ gives a star to SUMMER OF THE MARIPOSAS!!

We’re celebrating here at Tu Books today, because one of our fall books, Summer of the Mariposas by Guadalupe Garcia McCall, has received a starred review from School Library Journal. Our first star as an imprint, in fact! Celebrate with us and get a peek at part of the review:

“Written in the style of magic realism, this is an enchanting look at Mexican mysticism, coupled with the realistic celebration of the true meaning of family. The sisters’ relationships are believably drawn, and the juxtaposition of modern realities and ancient Aztec mythology elucidates the importance of the spiritual side of life in Latin cultures. The plot is well paced, with the illicit nature of the girls’ entry into Mexico adding drama to their adventure. While some readers may find the interweaving of the magical elements somewhat unsettling at first, they are sure to be intrigued by both the unusual qualities of the mythical characters and the sense of adventure that lies behind every twist and turn of the girls’ revelatory journey. As with McCall’s Under the Mesquite (Lee & Low, 2011), this is a peek into Mexican American culture, but its ties to the supernatural add an interesting dimension.”

YAY!

A Is for Anansi conference

If you’re in New York City and have the time (i.e., you’re not out volunteering or salvaging your own home) the A Is for Anansi conference at NYU this weekend is still on, despite the university being shut down for the week after the hurricane due to flooding and electrical outages. That is now taken care of and they’re getting back on their feet, and looking forward to discussing literature for children of African descent on Friday evening and all day Saturday.

There’s an RSVP number at that link, but if that isn’t working (I’ve heard there might be troubles with it), don’t worry—just show up. The conference is free to the public, so anyone may come.

I’ll be on the fantasy/science fiction panel on Saturday, along with Nnedi Okorafor and Zetta Elliott, which I’m really looking forward to. We’ll be talking about the  scarcity of fantasy/science-fiction books featuring children of African decent and how we hope to fix that. I hope you can make it!

November 9-10th, 2012

Location for all programs: Kimmel Center-NYU,

60 Washington Square South, E&L Auditorium, 4th Floor

Friday 6 p.m.–8 p.m.

Saturday 9 a.m.–after 5 p.m.

Nanowrimo resources: diversity in your Nano (writing cross-culturally)

Vieja Maquina de Escribir. / Old Writing Machine.
Courtesy Gonzalo Barrientos/Flickr

Are you starting off on your yearly Nanowrimo marathon? If so, perhaps you’re thinking about how to diversify your cast or settings. Preferably both, right? This month I’m working on at least one new diversity post, but I also thought perhaps a list of existing resources in one place would be useful. Most of these links, which I’ve been sharing via Twitter and Facebook as I find them, can also be found on the CBC Diversity Resources page, specifically on the resources for writers page, along with resources directed at other publishing professionals such as editors, sales and marketing, and booksellers. I’ve added a few more recent articles/sites that I’ve recently run into, as well.

This is kind of a hodgepodge of links, but I think it’ll help you have plenty to think about. If I run into anything more in the next couple of days, I’ll likely add it. Most of these links apply to writing cross-culturally, but as I like to remind people, this can mean anyone writing from a perspective not their own. I’ve talked to New York City-based writers who make assumptions about Iowans based on what they’ve seen on TV that I as a Midwesterner find unbelievable at best. I’ve known probably as many writers of color who want to write about different cultures that fascinate them as white writers who would like to write about people of color. In all of these cases, if you aren’t writing “what you know,” then research is involved. You have to know what questions to ask, what assumptions you’re making because of your own worldview that your character wouldn’t make. These resources will help you with that.

Though, beware, there’s a lot of info here. If you’re Nanoing, perhaps you might want to go with one at a time to leave yourself time to write!

Stephen King’s Super-Duper Magical Negroes

Nnedi Okorafor examines Stephen King’s use of the “Magical Negro” trope and discusses how it can be avoided.

Chimamanda Adichie: The danger of a single story

Chimamanda Adichie’s transformative TED talk, The Dangers of a Single Story, shows us what happens when writers focus on only one kind of story, and how a multitude of voices from minority cultures need to be heard for that danger to pass away.

Appropriate Cultural Appropriation

When writing cross-culturally, we need to remember whether we’re acting as an invader, a tourist, or a guest. Nisi Shawl addresses how to watch out for stereotypes, bad dialects, and other problematic portrayals of people of color.

Transracial Writing for the Sincere

Nisi Shawl’s resources for those who want to get it right when they want to write cross-culturally; how to do your research.

Challenge, Counter, Controvert: Subverting Expectations

Uma Krishnaswami on challenging subverting expectations in our writing.

 

Describing characters of color in writing

N.K. Jemison on how to describe characters of color in your writing without resorting to cliches and stereotypes.

Part 1: http://nkjemisin.com/2009/04/ways-to-describe-characters-of-color/

Part 2: http://magicdistrict.wordpress.com/2009/07/30/describing-characters-of-color-pt-2/

Part 3: http://nkjemisin.com/2010/02/describing-characters-of-color-3-oppoc/

The Microaggressions Project

A Tumblr that seeks to provide a visual representation of the everyday of microaggressions, “brief and commonplace daily verbal, behavioral, or environmental indignities, whether intentional or unintentional, that communicate hostile, derogatory, or negative racial slights and insults toward people of color.” Each event, observation and experience posted is not necessarily particularly striking in and of themselves. Often, they are never meant to hurt—acts done with little conscious awareness of their meanings and effects. Instead, their slow accumulation during a childhood and over a lifetime is in part what defines a marginalized experience, making explanation and communication with someone who does not share this identity particularly difficult.

 

Monika Schröder on Saraswati’s Way

Uma Krishnaswami on insider vs. outsider narratives (as she discusses Saraswati’s Way with Monika Schroder).

Don’t put my book in the African American section

N.K. Jemison’s response to the segregation of black writers (and often as a result, readers) in some libraries and bookstores.

 

Parenthetic Comma Phrases, Anyone?

Uma Krishnaswami on the use of parenthetic comma phrases to explain cultural details to the reader as if the reader were always an outsider to the culture. How else might these details be conveyed without alienating readers who come from that culture?

White Privilege: Unpacking the Invisible Knapsack

Peggy McIntosh provides a classic list of privileges which a white middle class woman enjoys that many of other socioeconomic statuses or races do not. An example for writers seeking to write from a perspective not their own to muse on their own privileges, whether similar or different, so they can see their blind spots.

 

Things I Don’t Have to Think about Today

In the same vein as the above, science fiction writer John Scalzi talks about “Things I Don’t Have to Think about Today” paired with his post on narrative usurpation, covering why he wrote “Things I Don’t Have to Think about Today.”

“Things I Don’t Have to Think about Today”

Narrative Usurpation

 

Mitali Perkins on Writing Race

A Checklist for Writers

 

There’s no such thing as a good stereotype

N.K. Jemison on the “strong female character” stereotype that also connects with racial and cultural issues.

 

Interview Wednesday: Stacy Whitman of Tu Books, a Lee and Low Imprint

Uma Krishnaswami interviews Stacy Whitman about using cultural experts to read cross-cultural writing or to check details of a controversial or historical subject (even when the writer is of that culture).

 

Is my character ‘black enough’?

From my own blog (be sure to read the comments section).

 

My SCBWI Winter Conference 2012 talk on writing multicultural books

Notes from my SCBWI Winter Conference talk in which I quote from the book below (questions to ask to knowing what questions to ask)

A Beginner’s Guide to the Deep Culture Experience: Beneath the Surface

This book by Joseph Shaules is directed to potential US expats living abroad helping them to think about cultural differences and ways to adapt to their new countries and enjoy the journey. But when read from the perspective of a writer, the questions Shaules raises can be applied to world building and culture building in writing.

 

Beyond Orcs and Elves

My talk on the need for diversity in fantasy and science fiction (includes a resources for writers section in part 3).

 

The Language of the Night
This book is unavailable electronically and also out of print, but if you can find Ursula K. Le Guin’s collection used or at your library, published by HarperCollins in 1978 and 1989, two excellent essays for writers on diversity are “American SF and the Other” and “Why Are Americans Afraid of Dragons?”

Tu’s third season: Release the hounds!

Now that yesterday was the official release day for Diverse Energies, both fall Tu books are officially out! Go forth and purchase! Tell your friends! Tell your family! Buy one for the dog!

It looks like the hardcover is not quite released yet on Amazon, which means that books are en route to their warehouses from our warehouse, and that pre-orders will start shipping soon. The Kindle version is available as well. So go ahead and pre-order the hardcover if Amazon is your thing—it’ll be along very soon.

At B&N, the Nook version is available and the hard copy is orderable both in person and online. You can also find it at most major online retailers, and directly from Lee & Low on our site (click the cover). The e-book will also soon be available in the Google Play store and iBookstore.

If you prefer a local independent, make sure to ask your local indie to stock it if they aren’t already doing so! Your word of mouth makes a huge difference for small presses like us. If you’re in Oregon or want to order online from Powells, I know that Powells Cedar Hills has signed copies (by Cindy Pon and Malinda Lo) left from a Sirens signing, so you might be able to track those down.

 

And if you haven’t checked out Summer of the Mariposas yet, it’s been out for a couple weeks already! What are you waiting for? If you’re in Texas, I hear that the book is in the Local Author section of a few B&Ns. If it’s not in yours, request it! Same for your local indie. For ordering online, it’s available at all major retailers in hardcover (including on the Lee & Low site—click the cover) and e-book. Google Kindle Nook iBooks

And if you’re more of a library type, if your local library system hasn’t already ordered the book, be sure to request it! Both books have gotten GREAT reviews (I’ll post a few below) and any library would be enriched to have them.

For teachers and school librarians, you can contact our sales department directly to place large orders, or you can use our website (which takes purchase orders).

And when you have finished the books and savored them, may I ask that you review them at the online venue of your choice? Reviews at Goodreads and Amazon really help out, if you’re looking for a way to support Tu Books!

 

Praise for Summer of the Mariposas

“In her first fantasy, Pura Belpré winner McCall (Under the Mesquite, 2011) tells the story of five sisters and their myriad adventures as they travel from their home in Texas to Mexico. 

When narrator and eldest Odilia and her sisters, Juanita, Velia, Delia and Pita, find a dead man in their swimming hole, Odilia wants to call the authorities. She is soon overruled by her sisters, who clamor to return the man to his family and visit their grandmother, all of whom live in Mexico. What follows is a series of adventures that hover somewhere on the border between fantasy and magical realism as the sisters are helped and hindered by supernatural forces including Latin American legends La Llorona, lechuzas and chupacabras. . . . Originality and vibrancy shine through to make [this story] a worthwhile read.”Kirkus Reviews

“While Summer of the Mariposas deals with highly fantastic elements (the girls battle witches, chupacabras, and trickster demons, to name a few), this is ultimately a story about family and bonds that can never be broken. I absolutely adored this book. Everything about it, from the sisters and magic to that GORGEOUS COVER (!!), Summer of the Mariposas was a complete homerun. The imagery was beautiful, the wording was remarkable, the characters were fleshed out so well I felt as though I knew them.”—Leah Rubenstein, “The Pretty Good Gatsby”

“This unusual mythic reality tale . . . [is] a darn good story [and] it has a lyrical quality and structure that will appeal to readers who read for literary value.”—“GenreFluent”

“These are colorful characters, crowding the stage, all waiting for their turn to speak or act. It’s The Odyssey, with Mexican-American, female adventurers set against the background of a whole new land. . . . Long live the Garza girls.”Tanita Davis, “Finding Wonderland”

“As a fun adventure story of 5 Mexican American sisters living on the border between Mexico and the U.S., this book has definite merit. There is a lot of between-the-lines information about Mexican and Mexican American culture (including such events as quinceaneros parties), a nice glossary of the some of the Spanish terms used, and terrific little Spanish proverbs or sayings at the beginning of each chapter. . . . I learned a lot!”—Betsy Farquhar, “Literaritea”

 

Praise for Diverse Energies

In an afterword, coeditor Monti writes about a heated 2009 discussion (dubbed “RaceFail 09”) regarding race in fantasy and science fiction, and how his reaction was to put together a collection showcasing “this wonderful, blended, messed-up world.” Hence this book, which feels different than the usual fare—characters, settings, and authors come from all across the global spectrum—and, maybe more to the point, proves to be not that different at all. It starts off with a fabulous one-two punch: Ellen Oh’s devastating “The Last Day,” about a future global war and the horrific Hiroshima-like aftermath; then “Freshee’s Frogurt,” a wild, violent, and funny excerpt from Daniel H. Wilson’s Robopocalypse (2011). In general, the subsequent stories fall on the more thoughtful, brainy side of the sf spectrum. Two standouts are Paolo Bacigalupi’s “A Pocket Full of Dharma,” about the reincarnation of the Dalai Lama on a portable storage drive; and Cindy Pon’s “Blue Skies,” a wistful have/have-not tale from a smog-filthed future Taipei. A solid introduction to a number of highly talented writers.—Daniel Kraus, Booklist

“As the title promises, this sophisticated science-fiction anthology is diverse in nearly every sense of the word. Beyond their being science fiction, no single element or quality unites the collection’s stories. However, the anthology was created in response to concerns that mixed-race characters, non-Western characters, LGBTQ characters and characters of color were underrepresented in young adult fiction, and most stories bring one or more of these underrepresented identities to the foreground. Readers will find poor children working in mines and factories, a have-not yao boy kidnapping a rich you girl and a girl reeling as the world inexplicably changes around her, and no one else notices. Although many stories imagine bleak futures, their tones are refreshingly varied. Daniel Wilson’s tale of a robot attack at a frozen-yogurt shop takes the form of an almost-comical police-interview transcript. Ursula K. LeGuin’s ‘Solitude’ is a sweeping, nostalgic epic. K. Tempest Bradford’s ‘Uncertainty Principle’ is a character-driven time-travel tale. Understanding many of the stories takes patience: Readers are plunged quickly into complex worlds, and exposition often comes slowly. Careful, curious readers will be rewarded, though probably not comforted, by the many realities and futures imagined here.”Kirkus Reviews

“This is a book I’ve been thrilled about ever since I saw it at ALA. It’s filled with incredible dystopian stories from some of the top authors out today and all of the stories feature brilliantly diverse characters. This has the potential to be a huge hit and I cannot wait to hear how much everyone loves it!”Danielle, “There’s a Book”

“My three favourite stories are “Blue Skies”, “Good Girl” and “Solitude”. I found these stories the most thought provoking and loved the way the world creation added to the message of each story. The imagery supported the feelings of the characters – all of whom I found to be compelling in their own ways. “Solitude” I think works perfectly as short story as do the other two, but I would love for “Blue Skies” and “Good Girl” to be turned into full lengthy novels, because the worlds and characters still have much to offer.
I enjoyed Bradford’s story and the premise makes this one of the best time-travel tales I’ve read. It amazes me how Bacigalupi’s and Kanakia’s stories manage to create such a strong sense of environment in the span of a short story. . . . “Pattern Recognition” and “What Arms to Hold” got me thinking about the rights of the child and the importance of questioning those in authority. “The Last Day” is well-written and thought provoking – in that depressing sort of way all stories about the futility of war make us think.”Katja, “YA’s the Word”

“When I first heard the premise of this anthology, I was thrilled. Science fiction and dystopia stories about multicultural characters and worlds written by diverse authors? Sign me up! . . . Most of the stories were very good, and I think they explored the idea of diverse futures very well.”—Jia Vergara, “Dear Author”