The best part is that the humor is also really smart. Even when it’s goofy.

I love a guy who can wield a hot glue gun for a good cause.

I can’t help myself. I have to keep rewinding the part where he glances at the piggy after removing its nose, turns it over, and pats its butt.

And of course, the moment when Minam finds the piggy bunny has its own hilarity. Someone even made a gif. This will only make sense from having watched the show, I suppose, but I can’t help but share it.

So: Go watch it. If you like goofy romantic comedies, this one’s a smart one.

Today I was hanging out with a friend and he asked me—my memory is fuzzy, but I believe in the context of me talking about yet another TV show I’ve watched—just what do I do after work. Maybe it’s because I was feeling like I don’t have much of a life—I’m still looking for my niche here in this city in many ways—I was a little embarrassed to admit that if I don’t have somewhere to be, I just go home and veg, watching a lot of TV. The answer would have involved WoW if I remembered to play anymore. I’ve gotten out of the habit these last few months.

But I’ve been thinking about it and I don’t know that I have much to be embarrassed about. Here’s my day: Out the door to work at 8:30, or even earlier if I have trash to carry down with me on my way out.

An hour commute; at work by 9:30. Work all day, yadda yadda. I officially get off at 5:30, but I generally don’t leave right away unless I have somewhere to go in the early evening. I usually end up working till at least 6, if not 7, because I’ve just got so much to do. A week ago Friday, I was at work till 10 pm because I had a project I was trying to finish (and ended up having to finish it Monday because I made myself go home at 10 with just 2 or 3 things left to finish).

But on a normal night I might get home, after errands/taking a walk/ etc., at 9 or 10 pm most weeknights! And it really IS okay to watch a little TV at ten o’clock at night. Or eight or nine.

That’s only one kind of weekday evening. Other nights I might leave early from work to attend a book event of some sort—a signing or reading or something. I’ll still get home just as late, but at least I’ve been out real-life socializing in the meantime. Or hang out with friends feeling guilty about how much TV I watch (not what the friend said—just my own thoughts in relation to the conversation).

Weekends are more varied. Some weekends I might stay in and marathon Doctor Who. Some I might be out on a bike ride in the afternoon and watching a movie with friends or playing WoW in the evening (that’s the plan for this weekend, only the video games will be on one of my friend’s consoles, not a MMORPG). Some I might be gathering for Korean barbecue or a movie. I’d like to start getting out with my camera in the late afternoons to practice my photography (I’m getting rusty) but haven’t really done it enough yet. Then there are the weekends that are consumed with mundanities like errands at Target and laundry.

So perhaps my life isn’t so boring as I think it is (except for the errands at Target and laundry). It’s just that I am busy enough in the weekdays that I have to remember to allow myself leeway in the evenings. So if you see me tweeting about yet another TV show, now you know why I do it.

The fight scenes are particularly cool to watch—integrating this fast-beating metal sound that’s completely anachronistic, but doing it so much better than, say, A Knight’s Tale, which I know a lot of friends loved.

Don’t believe the Hulu description, though—it conflates the brother of the heroine and the former-army-general-turned-slave. Here’s the DramaWiki description, which is a lot more useful.

Chuno follows the story of Lee Dae Gil, a man of high birth whose family was ruined when Won Ki Yoon, a slave, burnt down his house and escaped with his sister, Un Nyun, who was in love with Dae Gil. Driven by his desire for revenge, he survived his harsh years on the street and made his name as a slave hunter, dedicated in his pursuit to find Un Nyun, his first and only love. Song Tae Ha is a General of the Army who became a slave after being falsely accused of a crime he did not commit, and finds himself on the run from Dae Gil’s relentless pursuit. Both men become entangled in a love triangle with Un Nyun, who is no longer a runaway slave, but Kim Hye Won, a nobleman’s daughter.

Wikipedia’s description is a lot more detailed, if you are a little lost at the beginning. At first it was hard to keep certain characters straight, because it is definitely EPIC—but I’d suggest referring to Wikipedia only if you don’t mind a few spoilers, because some of what’s revealed in the Wikipedia description is only revealed in episodes 5, 6, or 7.

So, if you need another TV show to watch (as if any of us do, I suppose), check this out.

This won’t work on LJ or FB, so if you’re reading it there, click to my main site to see the first episode embedded right here:

Here’s the first episode. Maybe you’ll be as hooked as I am. You *have* to at least get as far as the asphalt incident.

Speaking of anthropological curiosity, I was especially interested in one particular thing I had never heard of from any of my Korean friends (including two Korean roommates)—it just never came up in conversation, I suppose: the Korean spa. There’s a part of TWWSWtM in which one of Shin Young’s suitors, Sang Woo, swears he’s going to wait outside for her all night if she doesn’t come downstairs. (They’re very proper about guys never going in the girls’ apartments, which is why later there’s a sort of scandal when… But I won’t spoil it! You have to see it!) But it’s winter, and she tells him he’ll freeze out there. So he says he’ll wait all night at the spa by her house instead. And this spa! I’ve never heard of such a thing–there’s this room in it where men & women are assigned gender-color-coordinated shorts/shirts that look kind of like mini-scrubs, and people just lie in the room and sleep. And there wasn’t any context! This baffled me, and no one I asked could explain what kind of spa lets people sleep there all night.

But at last the mystery is solved. I went out for Korean barbecue with some friends the other night and the subject of this show came up, so of course I had to ask: had anyone heard of such a thing?

And they had! And of all things, there’s one in Queens! Fascinating. I’ll have to try it out at some point.

It was also hilarious to me as a 30-something professional woman. I sympathize with the three main characters greatly, especially as a fairly feminist member of a pretty conservative culture (Mormonism). Much like Shin Young, no matter how well I do in my career, for many people, the thing that defines me is that I’m an old maid. But if I end up being Miss Rumphius in my old age, how can that be a bad thing?

SPOILER WARNING: I’m linking to the Wikipedia articles about these anime and the manga or light novels they’re based on. Sometimes there can be spoilers on these pages with no warnings, so proceed with caution. There are no huge spoilers in my descriptions—everything I mention is mentioned in the descriptions of the anime on the Netflix or Hulu page—but those of you with low spoiler thresholds have been warned.

DN Angel (more, including content/age range info & no spoilers, at Anime News Network)—I’m just starting this one through Netflix and it’s been making me giggle. Daisuke Niwa is a pretty normal 14-year-old kid who turns into a notorious thief when he sees the girl he loves, and he can only turn back when he’s won her love in his thief form. His mom and grandpa as accomplices are hilarious.

Darker than Black (more at ANN)—also just started this one (have only watched the 1st disc so far) and it’s okay. Definitely at least PG-13 for gore in some places–don’t recommend it for kids. The stars have gone out and are replaced by the “stars” of what they call “contractors,” people who have a superpower that is constrained by a habit they hate. So, someone who can manipulate water, for example, might be required to smoke, that kind of thing. I’m still trying to figure out the thread of the plot on this one.

Tactics (more info at Anime News Network)—LOVE this one so far. Also only past the first disc, but it’s really great so far. I would LOVE to see a YA novel focusing on this kind of folklore—Shonen Onmiyouji (ANN), another anime, also features the same kind of concept, a boy/man who can see spirits and banishes them using traditional Japanese methods (which I believe, but I’m not sure, are based on real Shinto practices—someone correct me if I’m wrong). (Nevermind, I will correct myself—if Wikipedia can be believed, Onmyodo was a spiritual practice in and of itself, but influenced by Shintoism as well as other religions.)

Point being: We’ve had plenty of YA books in which teens can see spirits or demons or fairies. But I’d love to see one set in Japan or using these kinds of Japanese folkloric influences. I think it makes a familiar story into something completely different, something fresh and new to a U.S. audience. (As always when I hope for stories like this, do your research and know the culture!)

Mythical Detective Loki Ragnarok—halfway through this one. Pretty great so far. Anime News Network’s plot summary: “Loki, the Norse god of mischief, has been exiled to the human world for what was apparently was a bad joke. Along with being exiled, he’s forced to take the form of a child. He’s told the only way he can get back to the world of the gods is if he can collect auras of evil that take over human hearts, and so to do this he runs a detective agency. Loki is soon joined by a human girl named Mayura who is a maniac for mysteries, and she soon helps out in her own way. However, soon other Norse gods begin to appear, and most have the intent to assassinate Loki for reasons unclear.”

Kyo Kara Mao! (ANN’s take on it here)—yet another one I’m not far into but love so far. Another giggle-worthy one. Main character Yuri Shibuya is flushed down a toilet into a parallel world where he is proclaimed the Demon King and accidentally proposes marriage to another guy by slapping him on the face for insulting his mother. Hilarious to watch him try to navigate a culture so different from his own (which is what parallel-world fantasy is all about, though it’s not always supposed to be funny). The more serious plot arcs are great, too—Yuri has no idea what he’s doing as a king, and he tries to avoid war between demon and human kingdoms, which baffles a lot of people.

R.O.D. the TV (ANN link)—Actually, I covered this one in my original post.

The Melancholy of Haruhi Suzumiya (ANN link)—somehow this one got left off my last list. Watch this one! It’s hilarious. Only 12 episodes, I think, so a relatively quick watch.

M0onPhase (ANN link)—A hilariously different take on a vampire story. I love the relationship between Kouhei and Hazuki. And the opening sequence is hilarious. I’m only about halfway through this one on Hulu—I discovered it over the holiday break and haven’t had time to go back to it. (Reading subs makes it harder to do other things while watching. I love listening to the Japanese inflections, but listening to dubs (even bad ones) makes it easier for me to accomplish other things at the same time.)

I also re-watched Fruits Basket recently (it’s on Hulu!) and again recommend it to anyone. It’s a classic YA fantasy story.

I really wish there were a second season of Ghost Hunt available (this one’s on Hulu, as well). From what I can tell, it was written by the same woman who wrote Twelve Kingdoms, which might be why I like it so much.

We’ve watched a lot of great stuff in the last year or so–the stuff coming out in the last few years is just plain brilliant:

• Vampire Knight (if you liked Twilight, you’ll LOVE VK–6 or 7 volumes of the manga is out here in the States, and the anime just got licensed)
• Fullmetal Alchemist
• Saiunkoku (OH so good–I would really love to be the one to bring over the light novels through Tu Publishing, but if someone got there first, I’d be all over getting them; I wish I could find the full second season on DVD)
• Gundam 00
• Ouran High School Host Club (very fun, and a great look at gender roles)
• Fruits Basket
• Code Geass
• Witch Hunter Robin (this stands out among a bunch of standouts–so good)
• Ghost in the Shell: Standalone Complex
• Emma: A Victorian Romance
• The Melancholy of Haruhi Suzumya
• Kuroshitsuji (we have to finish this one sometime) (also: this one is very hard to pronounce!)
• Wolf’s Rain (good, but very sad ending)
• Twelve Kingdoms (80s cheese, including a very whiny main character at first, but if you stick with it, it’s pretty fun)
• Cele-something (dang, forgot the name; helpful, aren’t I?)
• Moribito: Guardian of the Sacred Spirit (wow, what a show. And there’s a great book it’s based on, edited by Cheryl Klein)

… and many others that I’m forgetting. I should make a complete list to help me remember & help lead me to ones I like.

This has led me to many a good anime on my own (including older ones that I never saw when they were new), often because the friend who hosted anime night–who sadly just moved away–is so in touch with it and makes great recommendations:

• Tsubasa
• Samurai 7
• xxxHolic
• Last Exile
• The Third: The Girl with the Blue Eye (so good I want to add this one to my collection)
• Ghost Hunt
• Trigun
• .hack//SIGN (and just as I got into it somehow all the discs became unavailable)
• Death Note
• Scrapped Princess
• Noein
• R.O.D the TV
• Fushigi Yugi: The Mysterious Play (90s cheese, but fun)
• Read or Die

…and so on.

Anyway, I make this list right now because I want to eventually break it down and review some of them, and also because I’d like to hear if any of you have suggestions–given that I’ve liked pretty much all of this list, and given that if you’re a reader of this blog you probably know the kind of fantasy and science fiction I’m into (there are some great YA-oriented school stories on there, too, that aren’t speculative at all, but absolutely entertaining, like Ouran), perhaps you’ll be able to recommend some I haven’t heard of. What am I missing? You can probably tell that my tastes tend to run shojo–I love the bishis, when it’s not too overdone!–but I’m also open to brilliant stories that aren’t terribly violent.

What would you guys recommend? What new anime coming out is a must-see?

**Oh, and a few I want to see but haven’t gotten to yet:

• Mythical Detective Loki Ragnarok
• Shonen Onmyoji
• Darker than Black

My first example isn’t exactly the best one, but I use it for a reason. In Ocean’s Eleven (*spoilers*), the guys use an EMP to knock out Las Vegas’s electric grid for a time. With a complete acknowledgement that they’re probably playing fast and loose with the science of it, if an EMP knocks out delicate instruments, how in the world was Las Vegas able to come back up so quickly? Did they knock out all the computers on that grid, too? How many millions or billions of dollars of damage would such a pulse have done to the electronics of the part of Las Vegas that the EMP affected?

Then there’s Dark Angel–which we only see 20 years after the pulse, so there’s admittedly little dealt with in the series itself about the immediate effects of the EMP, but we do see a lot of interesting social extrapolation, where only the rich have the newest technologies and the U.S. is plunged into a new kind of depression that they might not recover from for years. (After all, when the banks’ systems crash, all those little ones and zeroes turn into just plain zeros, according to Dark Angel’s voiceover narrative in one of the earlier episodes.)

How does it happen? Well, we’ve got a service-based society, I can see how it might happen in the big cities at least. Small towns, though, tend to be a lot more self-sufficient. What Midwestern farm town doesn’t have at least two or three farmers with their own machine shops (not electromechanical–actual machine shops with tools probably inherited from their grandpa), wood shops, or even a guy or two who’s into hunting and trapping that might have a smoke shed for preserving meat? It wouldn’t serve the needs of the entire area, but that town would have resources beyond its electronics, and the food would be right out there in the fields (barring a subsequent natural disaster–it might be only corn and beans and whatever animals they might raise, plus every country garden, but they’d have food and people who knew how to cultivate it).

Limitations on even a small town, of course, would be distribution of fossil fuels and electricity. No power tools, etc. But from my experience, small towns are populated by resourceful people. As in Dark Angel, it’s the cities that would suffer most, because they generally don’t grow their own food and rely more upon electricity and fossil fuels for basic necessities like heat in the winter.

And that brings me to Jericho. The reason I stopped watching the show? All the frozen meat was thawing when the local grocery store’s backup generator died. What did they do? THEY HAD A PARTY and ATE ALL THE MEAT. No, they didn’t find the guy with the smoke shed who might be able to teach them how to preserve the meat for the winter, even though they knew they’d probably run out of food before the electricity was fixed (if it was ever going to be). No, they didn’t find the local crazy environmentalist survivalist (my town had at least one, didn’t yours?) who would be able to help them know how to cut wood in the spring and summer so that it would be dry enough to use in fireplaces and wood-burning stoves by the winter. And forget coal, which most midwestern small towns I’m familiar with would still have someone hanging on to.

Or perhaps that’s just me. My dad didn’t get an electric furnace for our house, which is 3 miles out from our small Illinois town of 2,700, until the coal hopper for our wood-burning furnace (as in, the only furnace our house had, central heat from the basement powered by wood)  finally quit, which was about 3 or 4 years ago I believe. He still cuts wood, but not as much anymore because he doesn’t have four kids at home to help him cut, haul, and stack every weekend.

We froze our meat (which we raised–pig, cow, rabbit, chicken), but my dad had plenty of friends who knew how to preserve meat, and several friends who had harness-trained horses (we raised horses for pleasure/trail riding; our family vacations were spent camping on the Jubilee College State Park horse trails near Peoria, IL) and if necessary we knew several people who could haul out their old horse or oxen-drawn plows because nobody who grew up in the Depression ever seems to have thrown anything out. (When my grandpa died in 2000, we–mostly meaning my dad and several aunts and uncles–cleaned out his barns on his farm and my grandma’s house. It took months. We found enough antiques to sell to the local antique man that we were able to establish a house maintenance fund for my grandma. We also found peaches that had been canned by my great-grandmother before she died in 1972. Sploosh!)

Okay, point being that most small towns I know have resourceful people, and the people of Jericho? They didn’t seem smart or resourceful enough to have actually populated a small town at any time in the history of the last fifty years. It was as if they’d all just moved in from L.A. last year. Oh! They did!

This is why Life As We Knew It fascinated me so much, actually. It’s not an EMP story, but it does take into account all the various ways that people can be resourceful in a doomsday scenario. And it makes me wonder how the main character of LaWKI would cope with a mere EMP blast (as opposed to the moon taking out half the earth’s ability to grow food and catastrophic climate change). I think she’d do pretty well, actually.

Me? I love it. I also love good cop procedural shows if they have character development (Bones, NCIS) and I think the misunderstanding of Dollhouse comes because people expect the characters to be quirky and funny like those in Buffy, Angel, and Firefly.

What Dollhouse really is: a serious science fiction show crossed with a cop procedural. Now that I’ve seen three episodes, I can see that they’re setting up a really intriguing mystery with the FBI agent seeking Echo, Echo’s past, and the possibility that Echo is a new kind of Doll–one who can adapt the mission to fit parameters no one programmed her to expect.

I’ll continue watching, and I think if you like a character-driven show, you’ll come to find it satisfying when the mysteries start to unravel more than in the first few episodes, when Echo is still more of a tabula rasa. But you’ll want to watch those first episodes to see how the mysteries and characters are getting set up.