#DVpit, updated submission guidelines, and my #MSWL

Today is #DVpit on Twitter, which is an event in which writers post pitches for their books on the hashtag and agents who like those pitches and are requesting submissions favorite the pitches as a way to say “send that to me!” and editors who like something either retweet it to say “I like this! send it to me, agents!” or favorite it if they take unsolicited submissions. To that end, I’m linking to this post for anyone whose pitch I favorite.

Recently, Cheryl Klein joined the Lee & Low team as editorial director, and that means that we’re shifting a few things around. Tu Books continues to be the middle grade and young adult imprint publishing all genres of fiction for those age groups, but because Cheryl also is interested in novels, I won’t be the sole editor acquiring for the imprint anymore. However, Cheryl and I have different interests and tastes, and she’ll also be acquiring picture books and nonfiction for the Lee & Low imprints, and older nonfiction for Tu.

Also, I’ve tweeted my #MSWL (if you don’t know, that’s a manuscript wish list) on both my own Twitter and on @tubooks from time to time—most recently being yesterday on Tu’s account:

Also:

So if you’d like a better sense of what I’m looking for, my Twitter and the Tu Books Twitter are your best resources, as I’m terrible at keeping up my blog nowadays.

We have new submission guidelines that have not yet gone up on the Lee & Low website, so for anyone looking for whether to send a MG or YA to me vs. Cheryl, some guidelines here. Obviously your first sign is whether Cheryl or I favorited your tweet. But if you’re still not sure, this is what will be put up on the Tu Books submission guidelines when we update the site:

At TU BOOKS, an imprint of LEE & LOW BOOKS, our focus is on young adult and middle grade fiction and narrative nonfiction centering people of color. We look for fantasy set in worlds inspired by non-Western folklore or culture, contemporary mysteries and fantasy set all over the world starring POC, and science fiction that centers the possibilities for people of color in the future. We also selectively publish realism and narrative nonfiction that explores the contemporary and historical experiences of people of color. We welcome intersectional narratives that feature LGBTQIA and disabled POC as heroes in their own stories.

We are looking specifically for stories for both middle grade (ages 8-12) and young adult (ages 12-18) readers. Occasionally a manuscript might fall between those two categories; if your manuscript does, let us know.

Stacy Whitman and Cheryl Klein both acquire titles for Tu Books, and we ask that you identify which of them you wish to consider your submission. As loose rules of thumb, Cheryl has a more literary bent and does not acquire graphic novels, while Stacy takes a more commercial focus and does not acquire narrative nonfiction. You can learn more about each of them through their websites, linked above, and the interviews here.

Novel Manuscript Submissions:

  • Please include a synopsis and first three chapters of the novel. Do not send the complete manuscript.
  • Manuscripts should be typed doubled-spaced.
  • Manuscripts should be accompanied by a cover letter that includes a brief biography of the author, including publishing history. The letter should be addressed to either Stacy Whitman or Cheryl Klein, and should also state if the manuscript is a simultaneous or an exclusive submission.
  • We’re looking for middle grade (ages 8-12) and young adult (ages 12 and up) books. We are not looking for chapter books (ages 6 to 9) at this time.
  • Be sure to include full contact information on the cover letter and first page of the manuscript. Page numbers and your last name/title of the book should appear on subsequent pages.

Graphic Novel Submissions:

  • Please include a synopsis and first three chapters (or equivalent—up to 20 pages of script) of the graphic novel script. Do not send the complete manuscript.
  • If you are also the illustrator, please include art samples with a sample storyboard in PDF or JPG format.
  • Do not include illustrations unless you are a professional illustrator.
  • Manuscripts should be accompanied by a cover letter that includes a brief biography of the author, including publishing history. The letter should also state if the manuscript is a simultaneous or an exclusive submission.
  • Be sure to include full contact information on the first page of the manuscript. Page numbers and your last name/title of the book should appear on subsequent pages.

Tu Books accepts submissions electronically. Please go to our Submittable page to submit your manuscript electronically.

If you would rather send your submission via snail mail, you may address it to: 

Submissions Editor, Tu Books
LEE & LOW BOOKS
95 Madison Avenue, Suite 1205
New York, NY 10016

ALSO NOTE that for new writers of color, our New Voices Award (for picture books) and New Visions Award (for MG/YA novels & graphic novels) writing contests are opening soon for submissions! If you’ve never published a picture book before, New Voices opens May 1. If you’ve never published a MG or YA novel or graphic novel, New Visions opens June 1. Information for both contests’ submission guidelines will be updated on the L&L website soon, so check back.

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Highlights of 2016 reading

Thanks to audiobooks, I read 144 books in 2016. (If you look at that list, some are still in progress—the problem with relying on the library; when I can’t finish an audiobook in the rental period, I have to wait months on hold for it to come back to me again. I’ve been waiting for The Passion of Dolssa to come back for something like 3 months.)

OBVIOUSLY, this list doesn’t include the books I’ve edited. OBVIOUSLY, you should read all my books! Check out the sidebar under Books I Edited, or go here for more info on Tu Books.

In more than a year of my outside-of-work reading being mostly on audio, I’ve found that audiobooks have an even worse diversity problem than print books. I’m not surprised by this; most of the books I publish haven’t gotten audio versions made, and that’s likely similar to the audiobook market as a whole. So my outside-of-work reading isn’t as diverse as I’d like it to be, but I’ve been able to read a lot more than I would have otherwise, given my aversion to reading finished books outside of work lately. (I work such long hours that I need a change-up when I’m off—I was reading maybe five books outside of work before picking up audiobooks.)

Here are some highlights, in no particular order, of my reading in 2016:

The Girl from Everywhere by Heidi Heilig

Adventure, magic, and traveling to alternate worlds and timelines. So much fun. Looking forward to the sequel this year.

 

The Thursday Next series by Jasper Fforde

Clever, funny, and just what I needed to escape in November…

The Shepherd’s Crown by Terry Pratchett

The last volume in the Tiffany Aching series, and Pratchett’s last book. It moved me. Pratchett had an ability to make you laugh at human foibles and poignantly appreciate the death of a character—and the author!—in such a unique way. This is a series I’ll return to again and again in the future, I think.

Outrun the Moon by Stacey Lee

Historical fiction, set in San Francisco, 1906. If you don’t know why that’s significant, you need to read the book even more. Beautiful.

I Am Princess X by Cherie Priest

Listening to this hybrid book on audio made me not even realize what I was missing in the print version–a comic-with-the-book! But Mary Robinette Kowal’s narration created an audio experience of the comic parts that translated well from the page—I knew from the change in narration that it was was a story-within-a-story, and it all came together perfectly.

Better Nate than Ever by Tim Federle

One of the few audiobooks in which the narration by the author enhances the book rather than detracts from it. Few authors have a good reading voice, I’m sorry to say. (Few audiobook narrators are good in general, honestly.) So this excellent story was made even better via Tim Federle’s voice.

 

Burn Baby Burn by Meg Medina

Speaking of excellent narrators, this narrator sounded like she was a Latina from Queens. That made this fascinating story about a teen girl in Queens just trying to make ends meet while worried about the Son of Sam murders even more fascinating. And man, I felt for Nora in her worries about her brother.

Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz

I didn’t realize till MONTHS later that this was narrated by Lin Manuel Miranda. And it didn’t stand out to me because his voice was seamlessly Aristotle’s. A beautiful book with top-notch narration.

 

My Lady Jane by Cynthia Hand, Brodi Ashton, and Jodi Meadows

This book is HILARIOUS, especially if you know the real history of Lady Jane Grey. And the audiobook’s narrator REALLY gets this book. She’s great at all the accents, and growls and emotes and simpers and everything perfectly.

Starflight by Melissa Landers

It’s been a long time since I’ve seen some good space SF in YA. This was an enjoyable read.

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New books!

The Monster in the Mudball by S. P. GatesJust in case you haven’t been paying attention in every other social media stream, Tu’s fall 2013 books are OUT in the WILD, just in time for Halloween!

For anyone with a young reader in your life, be sure to check out The Monster in the Mudball by S.P. Gatesthe perfect read for your third and fourth graders, and any reader looking for his or her first real middle grade book now that they’ve mastered chapter books. It’s a Junior Library Guild selection, as well—funny with a lot of heart, about a boy who teams up with an artifact inspector to save his baby brother from the monster Zilombo. It’s kind of like Warehouse 13 for the very young middle grade set.

For older readers, check out Joseph Bruchac’s postapocalyptic Apache steampunk Killer of Enemies—it’s been getting a lot of great buzz, and you need to pick it up.

The books are orderable on the Lee & Low website right now, and should be available for order from Amazon and BN.com and other online vendors within a few days to a week (it takes some time for the books to get from our warehouse to theirs and to be processed, so just keep pre-ordering until it’s available via your preferred vendor).

Killer of Enemies by Joseph BruchacE-books will be available in another couple of weeks. We always try to time version releases to be close to each other, but it’s not always perfectly aligned. Keep an eye on your favorite e-book vendor, and I’ll post here with links when they’re up.

If you love Tu Books and want us to publish even more awesome diverse science fiction and fantasy, one of the best ways you can support us (or any small press you favor) is to be sure to walk into your local indie bookshop and ask for the book by name. If they don’t have a copy, ask them to order it. Indies are very happy to be sure their customers have the books they’re looking for, and the more demand they see for a particular book, the more they’ll pay attention to ordering stock to keep in the store. And at the same time, you’ll be supporting a local business that works to serve your community.

Awesome blurbs for fall list of Tu Books!

We’re going to be doing a cover reveal for both of my fall titles soon, but to tide everyone over till we see those AWESOME images, we have some AWESOME blurbs from authors who have had a chance to take a look at the books a little early.

mim_jacket_06First up, our middle grade title The Monster in the Mudball by S. P. Gates, which was just named a Junior Library Guild selection. It’s a funny adventure for young middle graders that is a great fit for your 3rd and 4th graders. It’s been described as “Nerds if it had been written by Diana Wynne Jones.” Here’s the flap copy, to give you an idea of what a fun book it is:

A MONSTER IS LOOSE IN LONDON! And it’s kind of Jin’s fault that Zilombo the monster got loose.

Jin tracks the monster, but he can’t figure out how to get her back into the artifact from which she hatched. Then Jin meets Chief Inspector of Ancient Artifacts A. J. Zauyamakanda—Mizz Z, for short—who has arrived to inspect the artifact. She and Jin team up to find Zilombo.

Joining them is Frankie, Jin’s older sister, who has lost their baby brother—and Zilombo is the most likely culprit for his disappearance. Zilombo gains new, frightening powers every time she hatches. Now the monster is cleverer than ever before . . . and she likes to eat babies!

Will Jin’s baby brother be next on Zilombo’s menu? As the monster’s powers continue to grow, Jin, Frankie, and Mizz Z must find a way to outsmart Zilombo!

And the enthusiastic review:

Monster in the Mudball is a light-on-its-feet adventure full of surprises, humor, and heart!—Jessica Day George, New York Times bestselling author of Wednesdays in the Tower

Next, our other fall title is Joseph Bruchac’s follow-up to Wolf Mark (not a sequel or in the same world—just his next YA title for Tu Books). This is Joseph Bruchac’s first foray into steampunk (or at least, steampunk-adjacent), and we’re all VERY excited about it. In fact, it’s postapocalyptic Apache steampunk about a hunter named Lozen. The book can best be described as a science fiction retelling of an Apache legend, combined with a reimagining of a real historical figure, Lozen, who fought for Apache freedom in the late 1800s. Oh, let me show you:

This is not a once upon a time story.

Years ago, seventeen-year-old Apache hunter Lozen and her family lived in a world of haves and have-nots. There were the Ones—people so augmented with technology and genetic enhancements that they were barely human—and there was everyone else who served them.

Then the Cloud came, and everything changed. Tech stopped working. The world plunged back into a new steam age. The Ones’ pets—genetically engineered monsters—turned on them and are now loose on the world.

Fate has given seventeen-year-old Apache hunter Lozen a unique set of survival skills and magical abilities that she uses to take down monsters for the remaining Ones, who have kidnapped her family.

But with every monster she kills, Lozen’s powers grow, and she connects those powers to an ancient legend of her people. It soon becomes clear to Lozen that she is meant to be a more than a hired-gun hunter.

Lozen is meant to be a hero.

The gushing review:

Killer of Enemies is a wild teen adventure-fantasy that starts fast, gets faster and never touches the brakes. A mind-bending fantasy that smashes across genre lines to tell a story about survival, courage, and lots of monsters. Joseph Bruchac brings serious game. Highly recommended!”—Jonathan Maberry, New York Times bestselling author of Fire & Ash and Extinction Machine