NYPL’s 100 Great Children’s Books | 100 Years list

100 Great Children’s Books | 100 YearsIn celebration of their exhibit The ABC of It: Why Children’s Books Matter, the New York Public Library has released a list of 100 great children’s books from the last 100 years. I’m pretty happy to see that 27 of the 100 titles are diverse (in humanity) titles, and that there’s even more diversity in the authors (Donald Crews’s Freight Train, for example, doesn’t feature human diversity in the text, because the main character is a train, but the author is African American). How many of them have you read?

Here are the diverse titles (did I miss any?):

We could learn something from the penny dreadfuls

My latest read is a departure from my normal fiction fare: Girl Sleuth: Nancy Drew and the Women Who Created Her. We start off getting some biographical details of Edward Stratemeyer, who headed the Stratemeyer Syndicate—which, far from being the organized crime ring the name sounds like, was the company that created Nancy Drew back in the 20s.

Stratemeyer got his start in the late 1800s writing for penny dreadful magazines, the newspaper equivalent of dime novels for kids. The first chapter goes into a brief history of St. Nicholas magazine, and here’s the point of my post today, a quote from chapter 1:

The very existence of so many papers for children was a relatively new phenomenon. Most of the early nineteenth-century children’s magazines had been connected to religious orders of one sort or another . . . and all of them had a tendency to be didactic and somewhat dull. But by the middle of the century, secular papers that took as their task merely the amusement of children were beginning to make their presence felt. . . . Just prior to its [St. Nicholas’s] launch, Mary Mapes Dodge—St. Nicholas’s editor and the author of the international children’s bestseller Hans Brinker; or, The Silver Skates (1865)—announced that, in something of a departure, the magazine would contain “no sermonizing . . . no wearisome spinning out of facts, nor rattling of the dry bones of history . . . the ideal child’s magazine is a pleasure ground.”

That last part is an important one, and one to remember for those writing children’s books. “The ideal child’s [book] is a pleasure ground.” Of course, that doesn’t mean that we won’t absorb facts along the way or learn a little history as we set off on adventure, but the most important thing to remember when spinning your tales is that it’s about entertaining your readers. If there’s a lesson to be learned, it will be natural to the course of the story because it springs from character growth, not the other way around.